複象交易所
Visual Exchange
Office | 231m² | Taiwan 
It uses limited signs as creative codes to express the free imagination and mystery of art on the canvas. From Cubism to Miró' s surrealism, it liberates the traditional perspective of color, text and line motion. From this, it conceives the layout of a space: The lamps crossing the axis are like sharp and neat brushstrokes. The monochrome wall or the blurred background of the glass is a quiet base map of surrealism, or fragments of concrete visual experience, which have been twisted and reorganized into images. It is a 3D creation stretched from graphic art and shows the interactive existence of volume and shadow.
以有限記號為創作符碼，在畫布表述藝術的自由想像與神秘，從立體派到米羅的超現實主義，解放了色彩、文字和線條運動的傳統視角。以此觀想一座空間的佈局：穿越軸線的燈具宛如鮮明俐落的筆觸，單色牆面或玻璃模糊的背景是超現實主義的安靜底圖，抑或具象視覺經驗的碎片、扭轉、重組而成的形象，是從平面藝術拉展出量體與陰影交互存在的3D維度創作。
以有限記號為創作符碼，在畫布表述藝術的自由想像與神秘，從立體派到米羅的超現實主義，解放了色彩、文字和線條運動的傳統視角。以此觀想一座空間的佈局：穿越軸線的燈具宛如鮮明俐落的筆觸，單色牆面或玻璃模糊的背景是超現實主義的安靜底圖，抑或具象視覺經驗的碎片、扭轉、重組而成的形象，是從平面藝術拉展出量體與陰影交互存在的3D維度創作。
